Ableton Live 12 Suite Whatever music you make, and whoever you are as a music maker, there’s always more to explore in Live. See how you can go further with Live 12.
Reshape MIDI patterns
Apply a variety of simple or complex variations to your MIDI clips with new MIDI Transformations. Add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, simulate the strum of a guitar, and more.
Generate inspiration
Conjure up melodies, chords and rhythms with the help of new MIDI Generators. Set constraints and let your chosen Generator create playful and original ideas for you to develop and turn into your own.
Do more with Max for Live
Try out additional Max for Live Transformations and Generators that give you deeper ways of working with MIDI, or go even further by building new ones.
Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.
Stay in key
Choose a scale in Live’s Control Bar to see its notes in any MIDI clip you create. Then transform or generate ideas within the confines of the selected scale, or sync the scale of MIDI devices and instruments to the clip being played.
Edit MIDI more easily
Use keyboard and mouse operations to edit MIDI in new ways. Split a note in two, or chop it into several parts. Select a set of notes and join them together, or make them fill a selected time range. And access more tools from the Note Utilities panel on the left.
Modulate more flexibly
Stay in control of a parameter, even after it’s been mapped to a modulation source; Max for Live devices like LFO, Shaper and Envelope Follower now let you freely adjust a destination that’s being modulated.
Lose yourself in Meld
Live’s new MPE-capable synthesizer is designed for sound variety, playfulness and character. Equipped with twin oscillators and an extensive modulation matrix, Meld excels at textural soundscapes, harmonic and atonal sounds, and rhythmic drones.
Add color with Roar
Bathe your sound in subtle warmth – or break it down with wild distortion. Live’s new coloring and saturation device is made up of three saturation stages for serial, parallel or even mid/side and multiband configurations, and its built-in compressor and feedback routing give you even more ways to shape your sound.
Get expressive with granular synthesis
Granulator III, the latest version of Robert Henke’s granular synthesizer, introduces expressive control that lets you bend notes and add vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.
Set up to stay focused
Use Live’s Mixer in Arrangement View to get more information and control without moving to Session View and breaking the flow. Toggle the visibility of each Mixer section to fit your needs, and benefit from improved readability and feedback.
See everything you need
Take advantage of Live’s new Stacked Detail Views to see more of what your track’s doing at a glance. Display the Clip Editor or automation and device parameters at the same time as the Device View, so you can work without repeatedly switching between views.
Search with tags
Make sound selection easier with the help of Live’s new tagging system. Sound content now comes labeled in the Browser with instrument categories and helpful musical descriptors – and if you want more tags, you can create your
own.
Browse better
Get search results that cover the whole library, rather than being confined to the Browser’s built-in categories. And explore your search history to see sounds or categories you’ve previously looked for.
Find sounds that fit
Try Live’s new Sound Similarity Search to find sounds with similar characteristics to the one you’re working on. Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Instantly replace drums
Swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.
MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.
MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.
Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.
MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.
Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.
Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.
Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.
Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.
Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.
Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.
New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.
New Packs
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.
Stacked Detail Views
View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views.
View styling
Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music.
Mixer in Arrangement
Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer.
Mixer improvements
Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control.
Browser Tagging and Filtered Searches
Search for your sounds in the Browser without the constraints of Live’s built-in categorization. That means when you search for bass sounds, you’ll see all the bass sounds in your Ableton library, whether they’re samples or instrument presets.
Live 12’s sound content is also tagged using a new system that acts as a more flexible alternative or addition to Collections in the sidebar. Sounds now come with sensible labels to make them easier to find – but if you need more detail, or just want to use your own method of labeling, you can also add your own.
Aside from Live 12’s built-in tags, you can create your own custom categories in the sidebar for easy access to all your favorite sounds and devices in the way that makes the most sense to your workflow.
Sound Similarity Search
Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Or swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.
Browser History
Retrace your steps, and see and hear the sounds or categories you’ve previously searched for: Live’s Browser now lets you backtrack through your search history as you would with a web browser.
Accessibility and navigation improvements
Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.
New Themes
Choose new themes and adjust them with cool, neutral or warm tones and even a high contrast mode.
