With 27 modulation sources, 47 destinations, 15 filter modes, and five envelopes, it combined the flexibility of a modular synth with the polyphony and programmability demanded by artists like Toto, Vangelis, Prince, and Herbie Hancock. How do you improve upon such an instrument? Matrix-12 V balances absolute authenticity with the flexibility modern music makers need – and then some.
It’s a playground for quick tweaks during live performance and exacting sound design in the studio.
Because it applied digital control to analog tone generation, the Matrix-12 had three displays and many pages of functions but only six knobs. We thought a sound engine this sensational deserved a lot more.
