The easiest color grading plugin to get started with.Architected for vloggers, videographers, Editors and Colorists, Color Finale® 2 has been designed to be really simple to use while containing a complete professional color toolset familiar to professional Colorists.
The fastest color grading software for Final Cut Pro.A simple interface, efficient workflow, real-time processing, and semi-automated functionality make color grading on Color Finale® 2 incredibly fast.
The most complete color grading toolset.Color grading and advanced image processing, all in one package, and all on your Final Cut Pro timeline.
Designed by color grading experts.Our background and expertise is built on 20+ years of experience building high-end color correction systems, engaging with the world’s top Colorists, and working on a films.
Color Finale 2 is a color correction plug-in designed exclusively for Apple Final Cut Pro. It surpasses the built-in color correction tools and turns Final Cut Pro into a professional grading solution. Color Finale 2 is available in both a Standard and a Pro version. This guide may refer to some features only found in the Pro version, so consult our a feature comparison between the two versions. In addition to feature differences, Color Finale 2 Pro will also interface with Tangent hardware control surfaces.
Color Finale 2 installs as a video effect filter (plug-in) into both Final Cut Pro and Motion. It also installs a separate Color Finale application required to operate within the macOS framework. The user will not normally need to access this application – it is used to check for and install updates to Color Finale 2.
To apply Color Finale 2, drag the Color Finale 2 or Color Finale 2 Pro** effect from the Final Cut Pro effects palette onto any video clip, compound clip, title, generator, or adjustment layer (title effect) on the timeline.
Color Finale 2 is divided into two sections – a control panel located in the Final Cut Pro inspector and a floating, resizable layer editing panel. These panels utilize an interface design language consistent with Final Cut Pro. Both include return arrows next to most parameters to reset their values to the default, along with contextual pulldown selectors, and contextual menus (identified by three vertical dots).
What’s new;
NEW:
Color Finale Connect.
ADDED:
Telecine Wheels saturation and hue constrains (activated with Option-S and Option-H respectively) to independently control those parameters while keeping other values intact.
Support for latest Tangent Hub – Color Finale can run concurrently with other compatible applications using Tangent Panels.
FIXED:
crash during undo after blade operation on the clip;
undo/redo for Inspector parameters (Exposure, Contrast, etc);
masks blend rendering;
shape editing bugs;
various Inspector controls glitches specific to FCPX 10.4.9.
